Just a few months ago, Lindell released its version of the 902 with many clever additions, so it’ll be interesting to see how the Slate FG-DS measures up – especially since it’s quite a bit more expensive. And last but not least, Slate has added a button for previewing the affected portion of the signal, which is great for precise adjustments. There’s also an output level control, which helps with gain staging. Instead of the bypass switch, the FG-DS 902 plug-in offers a mix knob for blending the processed and dry signals. In addition, Slate Digital has come up with a couple of features that weren’t available on the original. There’s also a virtual LED meter for displaying gain reduction. how much attenuation should be applied to detected sibilances). The range control serves to set the desired amount of de-essing (e.g.
The mode switch, which toggles between the regular wide-band mode and a high-frequency mode, is also available. Like the original, it lets you dial in any frequency between 800 Hz and 8 kHz.
The new FG-DS 902 plug-in from Slate Digital brings this classic de-esser to your DAW. As a result, the de-essing is independent of the input level, which ensures musical and transparent processing. Instead, it determines the required amount of de-essing by comparing the levels of the selected frequency and the full bandwidth signal. One of its advantages is that it doesn’t use a fixed threshold. The dbx 902 came out in the early 80s and remains one of the most popular analog de-essers to this date.
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